Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens Venus Mars and Cupid oil painting


Venus Mars and Cupid
Oil on canvas Dimensions 195.2 x 133 cm (76.9 x 52.4 in) cyf
Painting ID::  88764
Peter Paul Rubens
Venus Mars and Cupid
Oil on canvas Dimensions 195.2 x 133 cm (76.9 x 52.4 in) cyf
   
   
     

Peter Paul Rubens Landscape with Rainbow oil painting


Landscape with Rainbow
Oil on canvas, 86 x 129 cm Date 1632-1635 cyf
Painting ID::  88781
Peter Paul Rubens
Landscape with Rainbow
Oil on canvas, 86 x 129 cm Date 1632-1635 cyf
   
   
     

Peter Paul Rubens The Triumph of Victory oil painting


The Triumph of Victory
1614(1614) Medium Oil on oak panel cyf
Painting ID::  88825
Peter Paul Rubens
The Triumph of Victory
1614(1614) Medium Oil on oak panel cyf
   
   
     

Peter Paul Rubens The Adoration of the Shepherds oil painting


The Adoration of the Shepherds
1608(1608) Medium Oil on canvas transferred from panel cyf
Painting ID::  88904
Peter Paul Rubens
The Adoration of the Shepherds
1608(1608) Medium Oil on canvas transferred from panel cyf
   
   
     

Peter Paul Rubens Perseus and Andromeda oil painting


Perseus and Andromeda
between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf
Painting ID::  88905
Peter Paul Rubens
Perseus and Andromeda
between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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